Up Country – Nelson Demille

Summary: Evidence of a 30 year old murder has recently come to light. There are a few catches, though: There was only one witness to that crime, and that witness may have died in the intervening years. The murder happened in the aftermath of a significant battle in Vietnam. The witness was a combatant for North Vietnam. How do you find the witness, if he lived through the rest of the war? How do you pick the investigator to assign? 

Paul Brenner, recovering from the aftermath of “The General’s Daughter” ; in truth he retired after that debacle. He’s called back to active duty and coerced to go back to Vietnam (for a third time), only this time during peacetime. Why can’t diplomatic requests be put through to talk with the witness? Is his government lying to him? What’s so important about the dead man, or the murderer?

Is there any way that Paul can make it back from Vietnam a third time, especially with the information he discovers while investigating this murder?

Setting: Vietnam, 1990’s – flashbacks to 1968 and 1972

Plot: Paul Brenner (last seen in “The General’s Daughter”) is contacted by his old boss and asked to take one last assignment. Next thing he knows, he’s on a plane to Nam, for the third time in his career. He’s got contacts he’s supposed to meet up with, who will give him information and assistance, as required. Before he even leaves the airport though, he catches the eye of Colonel Mang, a fairly powerful member of the Vietnam National Police Force, and in the course of the story, brazenly pisses Mang off and starts getting in trouble before his assignment even truly begins.

Once free, he has to find his way from the very bottom of the country to the very top, avoiding detection and questioning (by Mang’s men) the whole way. He’s “aided” in his journey by his first contact, an ex-pat who speaks Vietnamese, and a few additional people he meets along the way. What happens when he finds the witness? Will the witness even be alive? Based on the information the witness has, will Paul be able to tell what’s really going on?

Criticisms: This was a hard book for me to read, as I have a great deal of empathy for Vietnam vets. This book gives a glimpse into some of the experiences of a Army infantryman, surviving jungle warfare any way he can. The book can feel a bit ragged, but Demille was an established writer when this book came out, and I believe that the narrative style used in this book was chosen on purpose. Some readers might find the emotions that this book dredges up to be a bit strong. My next read will be much lighter, possibly a comic book, with pretty pitchures.

Wrap-up: Nelson Demille is one of my favorite writers. He’s a Vietnam Veteran, and this is one of only a couple of his books that touches on his experiences in the war. I would give this book an A++++++++, if such a grade existed in my arbitrary scale. I did, however, mark the final grade down a bit for subject matter. His work in technically perfect, no runs, no hits, no errors. I have read this book at least 10 times, and this last time through, I caught one single outright mistake. One. In this entire book. He should have caught it, his editors should have caught it, his proofers should have caught it, I’ve never caught a single bald-faced, point-blank mistake by Demille before, in any book, in any form or any fashion. That’s how good he is. As far as the attributes of the book itself? This is a book about a tortured soul, and his journey to peace and redemption. It’s set in a war zone; if you’re staunchly anti-war, this book will reinforce your beliefs, based on the accounts of some of the atrocities committed by both sides. If you support the troops no matter what, this book will make you weep for the pain that the characters go through almost reliving these times with them. I cannot recommend a book any higher than this one, if you can stomach a true fiction war novel.

Grade: By my arbitrary scale, I give this book a solid A.  I’ll save the elusive A+ for a book with more universal appeal.

The Cat Who Walks Through Walls – Robert Heinlein

Summary: Colonel (Senator?) Richard Ames Campbell is being recruited to save the world. A stranger is assassinated at his dinner table, he and his girlfriend get booted out of their apartments, and they’re chased off the habitat in the company of a man who was supposed to kill them both. Now he’s being recruited for a mission (across multiple timelines and dimensions) to save all existence.

Setting: Distant future, across multiple dimensions and timelines (Heinlein’s “World as Myth”).

Plot: Richard Campbell is an ex military commander who currently writes salacious novels. He’s out to dinner with his girlfriend when a man approaches their table and tries to enlist Campbell in a plot to murder a prominent citizen of their habitat. Before the unwanted visitor can get the particulars across, he’s mysteriously shot from afar. In the course of investigating the murder (and the requested “hit”) Campbell and his girlfriend are evicted from their apartments, and kicked out of the habitat.

His girlfriend turns out to be an operative with an organization whose grasp surpasses the boundaries of time and space; they jump around in different time lines to try and steer the present into more beneficial outcomes. Richard’s hesitant to join the organization, but his participation is vital (according to the group’s research) in saving a certain computer system.

Criticisms: I don’t have any major criticisms of this book.  

Wrap-up: As far as Sci-Fi is concerned, if you were to ask anyone (who’s familiar with Sci-Fi) who the masters of the genre are,  Heinlein would be in the top 3 of every respondent, along with Clark and Asimov.

If you’re already a Heinlein fan, this is a little gem which ties together with most of the other “World as Myth” books. If you know who Lazarus Long is, you’ll have a small step up on other readers. If you’re not a Heinlein fan but have been eager to try a new author (or genre), this would be a good choice, as it’s not dependent on the other novels but can be read as a good stand-alone book.

Heinlein exhibited his famous sense of humor (and solid grasp of the absurdities of the current political situation when he wrote the book) perfectly with this book, and it would be a good primer for a burgeoning Sci-Fi (or Heinlein) fan.

Grade: By my arbitrary scale, I would give this book an A-.

The Wheel of Darkness - Douglas Preston and Lincoln Child

Summary: Aloysius Pendergast is back. If you haven’t read any of the Pendergast novels, you’re missing out. Stop reading this review, and  go pick up one of the earlier novels, I would suggest Cabinet of Curiosities. Anyway, Pendergast is a special agent with the FBI, who investigates strange crimes. I’m not certain that he really takes any direction from the FBI at this point, he just uses his badge to open doors that would be closed to the general public. He’s chasing down an ancient Tibetan artifact which has been stolen from a monastery deep in the mountains on the border of China and Tibet. This monks are convinced that the artifact is linked with the end of the world, and it must be brought back to its home.

Setting: Current day Tibet, China, London, and an intercontinental ocean liner.

Plot: Pendergast is studying Tibetan meditation at a monastery in Tibet when he’s asked by the monks to chase down a box that’s been stolen. They have the identity of the thief, just need Pendergast to chase him down. Pendergast chases the thief and the box across Asia and Europe, finally catching up with the box on an intercontinental ocean liner where the artifact starts driving anyone who gazes upon it insane.

Pendergast’s superior intellect is his only usable weapon against the artifact, but will it be enough? 

Criticisms: None whatsoever. If you haven’t read any other books in this series, you may want to read the earlier ones first, as the series reads in order, and there are some significant spoilers in this book regarding the earlier books.

Wrap-up: Douglas Preston and Lincoln Child hit the ball out of the park on this one. They’d been writing this series for long enough (at the time of this book) that the characters are still fresh, and this is one of the best in the series. If you like mysteries, and don’t mind a bit of supernatural content thrown in, there’s not a series that I’d recommend more than this one.

Pendergast is superbly written, and has a lot of idiosyncratic traits that endear his character to the reader. His roots are in New Orleans, and he’s portrayed as a syrup voiced Southern gentleman, almost a renaissance man; he’s a master of a wide assortment of disciplines, from art and music to unarmed (or armed) combat. One of the best written characters I’ve ever had the pleasure to read. There are 11 books in the series (thus far), so once you get to know Pendergast, you can have a nice long trip with him, if you wish.

Grade: By my arbitrary scale, I would give this book an A.